Playground’s brand has always been one of youthful exuberance and optimism. As the company has grown and matured so has the way we conduct our business — it was time our outward facing personality represented the inside of the company.
The original Playground brand colour was purple. A fine shade, it was unique and fun and worked as a great differentiator for us. As time went on and we wanted to do more interesting things with our brand we found the purple extremely limiting.
There is only so much purple one can have in their life. So we wanted something that was far less finite but still had that sense of approachability and curiosity that the purple was providing.
The name of the agency has always had strong conceptual ties between what we do and how we do it. The duality of one word that represents energy and creativity and one that resonates process and production has always been the balance we strive to strike with the work we produce.
It’s through this wide-eyed creativity that we are able to create things that truly are amazing
When we look at the world we see it through eyes that know no limit to possibility. We have the imagination, ability and drive to create anything. Just as when a child looks at a jungle gym and sees a pirate ship, an igloo, or an amazonian rain forest, we look at technology and see opportunity to connect people, to empower them, to make their lives better. It’s through this wide-eyed creativity that we are able to create things that truly are amazing and delight the people who experience them.
Conversely, we understand that without execution ideas are worthless. To take form; the best ideas need process, they need structure and they need discipline. It’s about taking that abstract creative concept and allowing it to manifest itself in a way that people can use and find meaning in.
We spent a great deal of time working on the brand. We wrote positioning statements, we had meetings, we conducted study groups and narrowed down to something we were really excited about.
Our branding exercise netted us a great looking logo that was balanced and worked in many different applications but the longer we had it sit on our hard drives and on our screens, the more flaws we found in it.
I recently watched a great talk from UXWeek 2012 with Austin Kleon about Stealing like an artist. Influence, imitation and stealing are issues I think anyone who spends their day wading through a web of creative work has to struggle with. While our process for deriving this logo was far more thorough and considered than the diagram below implies we couldn’t help but feel like that might be what others perceived from the end result.
We went back and started looking at brands we loved and logos we loved and what it was that made them great. We spent a lot of time looking at the branding work of Paul Rand and Massimo Vignelli — as I’m sure anyone who’s ever had to design a logo does. We started striving for more bold geometric and simple forms that could be simple and timeless.
Our second round of revisions yielded some great looking options that everyone was again excited about. The hexagonal ‘P’ that felt like it was for a company that made metal fasteners or injection moulds was a strong favourite. It felt permanent, we put it up in our internal Facebook group and after a couple of months with nobody bringing any concerns to the table, it was.
This is probably my only opportunity for anyone to appreciate the painstaking effort that went into the roundness of every corner on the new mark. Somewhere I hope Saul Bass or at very least Aaron Draplin is smiling.
We finally had a brand image that was striking, encapsulated and inspiring creativity. It was far more forgiving and flexible a design element than our original unbalanced, attention seeking mauve trimmed wordmark.
We’re growing up and moving forward. We continue to understand more everyday about who we are and the value we provide with the work we do. Feel free to connect on Twitter to talk about the new logo design.